Ctrl + KGeneral Discussion
Ctrl + KYeah I generally agree with most of your points.MattKC wrote: ↑Sat Jan 07, 2023 8:55 am I'd say I generally disagree, not in the sense that I really like today's music, but in the sense that every generation has hated the music of the generations younger than them. If you can think of an era or genre of music - even iconic ones that are beloved nowadays - you can be sure there was backlash for it from the previous generation(s) at the time, so I feel any comment about "music nowadays" vs "music back then" is going to be highly subjective.
That being said, I do think digital distribution, particularly streaming, has very likely negatively affected the music industry and its willingness to take risks. There was a time when interesting artists were sought out by agents and A&R representatives because there was a lot of money to be made off physical album sales. Managers would mortgage their own houses to bet on an artist they thought could make a hit record. Now that the only money to be made is $0.00437 per play on Spotify, it's not surprising that major labels nowadays just wait to see whose SoundCloud mixtape happens to go viral on TikTok. The only real money to be made in music nowadays is live tours, or licensing to TV shows/movies/commercials.
Sure, you could argue that major labels are obsolete when a SoundCloud mixtape can go viral on its own, but you're still probably making virtually no money, and the widespread accessibility of music distribution arguably makes it just as hard to stand out from the crowd as before (if not harder). You could also argue that streaming makes people more likely to consider songs disposable; songs come and go constantly, and when you have nearly the entire catalog of officially published music at your fingertips, each one of those songs may start to feel less individually valuable.
So I think for the most part fashion is fashion, there are plenty of songs from previous eras that could be considered repetitive or uncreative (we just tend to only remember the good ones), but I also think the music industry arguably has been in a unique decline/struggle in recent decades.
This might be a reason too, because I don't even define todays music as music anymore (am I getting old?). If someone is just talking off beat (not even singing) filtered by auto-tune not even understanding the words because the filter is turned on max, how can it be music? It's like going to a discotheque with a friend who had a bad day, but who is trying to talk to you while loud music is playing. Record this with your smartphone and use auto-tune and you have a new masterpiece by todays standards.
It is funny to read this as a J-Core listener since new music with weird and/or brand new genres come out consistently and the buying/selling of CD records directly in annual conventions is (still) commonplace though to be fair it is Japan after allmaxmoon wrote: ↑Wed Jan 11, 2023 12:31 pm This wasn't the case back then when artists (or their labels) got supported directly by buying their records. They don't have to fit their music to masses and they could even create music in genres you've never heard before. Nowadays no one will even find your music if you do such "experiments", trying to do real art, which is not optimized to spotify or any other similar algorithm.
It sounds like Japan is a cultured and well developed country. I am not even cynical, I am serious, because all those algorithms keep degenerating art in any kind, it even doesn't matter if it's music or a Youtube video or something else, you must do what the god (the algorithm of the company) wants and not what is coming out of your heart in western countries. (There are only a few exceptions)
To be fair I doubt such algorithm exists in the first place but what do I know? Services like Spotify and Apple Music are just as commonly used there as in the western worlds yet they still havemaxmoon wrote: ↑Wed Jan 11, 2023 3:19 pm It sounds like Japan is a cultured and well developed country. I am not even cynical, I am serious, because all those algorithms keep degenerating art in any kind, it even doesn't matter if it's music or a Youtube video or something else, you must do what the god (the algorithm of the company) wants and not what is coming out of your heart in western countries. (There are only a few exceptions)
But is it really like this in Japan? Aren't there huge companies with their algorithms controlling how music have to be structured and how it has to sound to fit for the masses? Can you post a link to your favorite songs? I am curious how they sound...
There are some bangers and some even sound like German techno from the 90s, but in better audio qualityflatrute wrote: ↑Thu Jan 12, 2023 12:17 am Bandcamp had an introduction article on the genre in question with some samples you can have a listen to.
True words...andreizabest wrote: ↑Thu Jan 12, 2023 1:30 am Time is generally speaking a good filter for bad content in general.
I tried to watch the video, but it is really hard to watch and I had to abort it in the middle of the video, because he doesn't make a point and kept screaming from the beginning. I can't believe this video has 20 mio views... if I would have found it by accident, I would have closed it within a second.andreizabest wrote: ↑Thu Jan 12, 2023 1:30 am Also this whole thing reminds me of the notorious "BORN IN THE WRONG GENERATION" Filthy Frank video.